The 34th Annual African Literature Association Conference
April 22 - 27, 2008

Conference Program

Program: April 22 | April 23 | April 24 | April 25 | April 26 | April 27 | Complete Program PDF

Sessions are held in the University Union unless indicated.

Friday, 25 April

Time Event Location
7:00 – 10:00 am ALA Executive Board Meeting Algonquin Room
8:30 – 10:30am TRACALA Executive Meeting Days Inn Meeting Room
8:00 – 9:45 am CONCURRENT PANELS  
 

Roundtable: African Film Directors/Producers in the Global Century

Co-Chairs: Janice Welsch, Western Illinois University; Jude G. Akudinobi, University of California, Santa Barbara

  • Tunde Kelani
  • Newton Aduaka
  • Manthia Diawara
  • Awam Amkpa
Sandburg Lounge
 

Panel: The Postcolonial Body I

Chair: G. Oty Agbajoh-Laoye, Monmouth University

  • Chinyere Nwahunahya, University of Nigeria Nsukka, Jagua Nana’s Children: Prostitutes in Post-Colonial African Literature
  • Felicity Palmer, Columbia University, “A Kinship of Desire:” The landscape of Liberation in Yvonne Vera’s The Stone Virgins
  • G. Oty Agbajoh-Laoye, Monmouth University, West Long Branch, NJ, Bodies of Experience, Historical Re/Mapping, and Sites of Oppression/Resistance in Selected Literature by African Writers
Lincoln Room
 

Workshop: African Literature Resources for Teaching (Part IV)

Facilitator: Helen Mugambi, California State, Fullerton

Springfield Capital Room
 

French Language Panel 2

Chair: Andre Djiffack, University of Oregon

  • Cecile Kyriakos, University of Colorado, Assia Djebar’s Ombre Sultane and La femme sans Sepulture: the Canon of the One Thousand and one Voice or the narrators’ transmission
  • Marie-Magdeleine Chirol, Whittier College, Echo et Abyme dans Moi et mon blanc de Pierre Yameogo
  • Andre Djiffack, University of Oregon, Bolya Baenga: la polyandrie comme antidote à la polygamie
  • Mohammed Saidu Kabia, Virginia State University, Convergence et divergence de la durée et du temps chez Mongo Beti et Emmaneul Matateyou
Kaskaskia Capital Room
 

Panel: Women in Aidoo and Ezeigbo

Chair: A. Sackeyfio, Winston Salem State University

  • Rose A. Sackeyfio, Winston Salem State University, Damned if you do, Damned if you don’t: Victimhood and Agency in the Works of Ama Ata Aidoo
  • Idom T. Inyabri, University of Calabar, Gendered History and Memory in Akachi Adimora Ezeigbo’s The Last of the Strong Ones, House of Symbols and Children of the Eagle.
  • Onuora Benedict Nweke, University of Lagos, The New African Woman and Identity Crisis in Ama Ata Aidoo’s Changes: A Love Story and Akachi Ezeigbo’s Children of Eagle
Cardinal/Oak Room
 

Panel: Gender, Sexuality, and Cultural Identity in Tess Onwueme's Plays

Chair: Maureen N. Eke, Central Michigan University

  • Kanika Batra, Texas Tech University, Staging Feminisms: Surrogate Masculinity and Political Power in Tess
  • Romanus Muonoye, University of St. Thomas, Bridging the Atlantic: The Semiotics of Ritual Reunification in Tess Onwueme’s The Missing Face
  • Maureen N. Eke, Central Michigan University, Gender and Sexuality in Tess Onwueme's Tell It to Women and Shakara: Dance Hall Queen 

Respondent: Tess Onwueme, University of Wisconsin, Eau Claire

Board Room
 

Panel: West African Francophone Discourses: HampâtéBâ, Kourouma, and C. N. Kane

Chair: Carrol F. Coates, Binghamton University, NY

  • Carrol F. Coates, Binghamton University, NY,
  • Jean Ouedraogo, Plattsburg State University, NY, Langue du pouvoir du langage: les interprètes chez Kourouma et Hampâté Bâ
  • Monika Brodnicka, Binghamton University, NY, A philosophical View of Sufism: Tierno Bokar (Ahmadou Hampâté Bâ)
  • Cheikh Thiam, Binghamton University, NY, Movement Heterogeneity, and Otherness in Cheikh Hamidou Kane’s Ambiguous Adventure
DuSable Room
 

Technology Workshop Presentation II: Digitally connected globe: African literature, culture and performance

Chair: Mark L Lilleleht, University of Wisconsin-Madison

Presenter: Mohammed Hamid Mohammed, Intel

Title: Digital Harambe: Telling African Stories in 0’s and 1’s to a Generation of Netters

Heritage Room
10:00 – 11:45 am CONCURRENT PANELS  
 

Graduate Student Caucus Panel: Getting Published: Advice from the Editors

Chair: Laura Murphy, Harvard University

  • Ato Quayson, University of Toronto
  • Abioseh Porter, Drexel University
  • Abdul-Rasheed Na’Allah, Western Illinois University
  • Tejumola Olaniyan, University of Wisconsin-Madison
DuSable Room
 

Roundtable: The Year of Anthologies 1: Anthonia Kalu’s Reinner Anthology of African Literature

Chair, Adeleke Adeeko, The Ohio State University

  • Moradewun Adejunmobi, University of California, Davis
  • Joseph McClaren, Hofstra University
  • Adeleke Adeeko, The Ohio State University

Respondent: Anthonia Kalu, University of Northern Colorado

Cardinal/Oak Room
 

Panel: Indigenous African Performance and Interpretative Traditions
(In Honor of Professor Oyekan Owomoyela and Professor Conteh-Morgan)

Chair: Niyi Afolabi, University of Massachusetts at Amherst

  • Abiola Irele, Harvard University (Reminiscences)
  • Omofolabo Ajayi-Soyinka, University of Kansas, Lawrence (Eulogy for Owomoyela)
  • Pamela Smith, University of Nebraska, Omaha (Eulogy for Conteh-Morgan)
  • Niyi Afolabi, University of Massachusetts at Amherst, The Ajanaku in the Tale: Prospects and Pitfalls of Yoruba Paradigms in the New World
  • Union Edebiri, University of Lagos, Riddles in Bini Oral Literature
  • Akintunde Akinyemi, University of Florida, Gainesville, Yoruba Modern Dramatists and the Art of Praise Singing
Springfield Capital Room
 

Panel: Black Women’s Activism and Emerging Paradigms: from Queens & Pharaohs to Contemporary Transformation Agencies

Chair: Safoura Boukari, Western Illinois University

  • Abdul Salau, Delaware State University, Egyptian Goddesses in the Yoruba Culture
  • Safoura Boukari, Western Illinois University, The Kemetic Paradigm as a Unifying and Global Comfort Zone
Fox Room
 

Workshop: Introducing Synchrotex

Peter Seitel, Smithsonian Institute, Introducing Synchrotext. Software for Presenting and Understanding African Oral Literature through Digital Media

Algonquin Room
 

Panel: Flight, Journeys and Immigrant Literature

Chair: Dorothy Odartey-Wellington, University of Guelph

  • Caryl Loney-McFarlane, Rutgers University, Flying Home
  • Dorothy Odartey-Wellington, University of Guelph, Donato Ndongo-Bidgyogo’s El Metro; African Immigrant Literature in Spain
Kaskaskia Capital Room
 

Writers Panel VI: Creative Writing, Personal Experiences and the Global Century

Chair: Niyi Osundare, University of New Orleans

  • MARIèTOU Mbaye Bileoma (kEN bUGUL)
  • Mariama Barry
  • Frank Chipasula
  • Toyin Adewale-Gabriel
  • Gabeba Baderoon
  • Chika Unigwe
  • Isiaka Zubair Aliagan
Board Room
12:00 – 2:00 pm

Things Fall Apart 50th Anniversary Luncheon
Speaker: Abiola Irele

Chair: David Boocker, Western Illinois University

Lecture to be preceded with readings of a paragraph or two of translations of TFA – Obiora, Irene & Natasha)

Lincoln Room
1:00 – 4:00 pm Spoon River College Hospitality Room Chicago Room
2:00 – 3:45 pm CONCURRENT PANELS  
 

Performance Panel: Traditional African Dadakuada, Waka

Presenter: Olateju Adesida, Northwestern

  • Jaigbade Alao, Dadakuada performer
  • Adebisi Adeleke, Yoruba drummer
  • Sani Dandawo, Wak’a singer
Sandburg Theatre
 

Panel: African Men, Women: A Yearning for Self and Mother Africa

Chair: Pearlie M. Strother-Adams, Western Illinois University

  • Pearlie M. Strother-Adams, Western Illinois University, In Search of each other: A yearning for self and mother Africa
  • Teresa N. Washington, Grambling State University, Mules and Men and Messiahs: African Continuity in African American Oral Literature
  • Pia Thielman, Independent Scholar, Hot Stuff? Representations of Women in Selected Novels by Terry McMillan
Springfield Capital Room
 

Panel: Where is the Artist Taking Us?: Style, Portrayal, Vision, Politics, and more in Africa and African Diaspora Writing!

Chair: Julie Huntington, Clemson University

  • J. Roger Kurtz, SUNY, Brockport, Apocalypse Evolving: The Sense of an Ending in Ngugi’s Fiction
  • Cara Moyer, Howard University, Exploring the Role of the Artist/Outsider in Bessie Head’s Maru and Zola Maseko’s A Drink in the Passage
  • Julie Huntington, Clemson University, Music, Voice and Identity in Simone Schwarz-Bart’s Pluie et Vent sur Télumée Miracle
  • Vincent, Odamtten, Hamilton College, The Perils of Recovering Identities in 'Appier Times
Vandalia Capitol Room
 

Roundtable: The Year of Anthologies 2: Tejumola Olaniyan and Ato Quayson’s Blackwell Anthology of Theory and Criticism in African Literature

Chair: Adeleke Adeeko, The Ohio State University

  • Kwaku Korang, The Ohio State University
  • Therese Migraine-George, University of Cincinnati
  • Pius Adesanmi, Carleton University

Respondents: Tejumola Olaniyan, University of Wisconsin, Madison and Ato Quayson, University of Toronto

Cardinal/Oak Room
 

Panel: Researching Africa

Chair: Mbulelo Vizikhungo Mzamane, University of KwaZulu-Natal, South Africa

  • Mbulelo Vizikhungo Mzamane, University of KwaZulu-Natal, South Africa, The Centre for African Literary Studies at the University of KwaZulu-Natal, South Africa
  • Abdul Salau, Delaware State University, Genetic Correspondences Between Ancient Egyptian and Modern West African Languages
  • Mukoma Wa Ngugi, The Task of the African Translator
Kaskaskia Capital Room
 

Panel: Urban Environments

Chair: William Slaymaker, Wayne State College

  • Andrea Cristina Muraro, Universidade de Sao Paulo, Looking through Luanda
  • William Slaymaker, Wayne State College, Afro-Brazilian Environmental Literature: Lost in Urban Jungles
  • Sonja Darlington, Beloit College, Why Race and Class Matter to the Environmental Debate? Tess Onwueme and Bessie Head’s Responses
DuSable Room
 

Panel: Hommage a Joseph Zobel: 1915-2006

Chair: Renee Larrier, Rutgers University

  • Debra S. Boyd, Ohio State University, Way B(l)ack Then and Now: Revisiting the Palcy and Warner Versions of Joseph Zobel’s La Rue Cases-Negres
  • Anthony Hurley, Stonybrook University, Death in Zobel
  • Renee Larrier, Rutgers University, C’est le peintre du petit peuple

 

Algonquin Room
 

Sembene Ousmane Memorial Lecture II

Chair: Femi Ojo-Ade, St. Mary's College of Maryland/University of The Gambia, Gambia

Lecturer: Manthia Diawara, New York University

Board Room
4:00 – 5:45 pm CONCURRENT PANELS  
 

TRACALA Panel: African Language Performance Panel: TFA in Translation -Yoruba, Igbo, kiSwahili, Gikuyu, Tigrinya, Wolof, Zulu, Krio

Chair: Phanuel Egejuru, Loyola University, New Orleans

  • Participants: Akintunde Akinyemi
  • Kassahun Checole
  • Abdul-Rasheed Na'Allah
  • Wangui wa Goro
  • Ousseynou Traore
  • Phanuel Egejuru
  • Obiora Udechukwu
  • Pamela Smith
  • Vusi Mchunu
  • Paul Bandia
  • Mukoma Ngugi
Sandburg Theatre
 

Panel: L’Histoire Africaine et Fatou Diome

Chair: Hanétha Vete-Congolo, Bowdoin College

  • Guy Tegomo, Queen’s University, Canada, Pouvoir et Violence en Poscolonie: Le Bal des Caimans de Yodi Karone et Mère-Solitude d’Emile Ollivier
  • Samuel Zadi, Wheaton College, Solidarité africaine et développement socioéconomique dans Le Ventre de l’Atlantique de Fatou Diome
  • Hanétha Vete-Congolo, Bowdoin College, La vérité sous le masque ou la métaphore d’une Afrique moderne dans Ketala de Fatou Diome
Springfield Capital Room
 

Panel: Soyinka’s Art and Comparative Perspectives

Chair: Harry Garuba, University of Cape Town, South Africa

  • Bernth Lindfors, University of Texas at Austin, Paton’s Discovery/Soyinka’s Invention
  • Patrice Nganang, SUNY-Stony Brook, Portrait of The Artist as a Character. African Literature and Self-Reflectivity
  • Eckhard Breitinger, Bayreuth African Studies, Germany, Dionysos and His Brother Ogun: African Particularity and Classical Mythology
Vandalia Capital Room
 

Panel: The Postcolonial Body II

Chair: Fatoumata Diahara Traore, McGill University

  • Karen Martino, University of Rochester, Depicting the era of Osofisan's "Nkrumah Ni! Africa Ni!" through the Dance Drama forms of West Africa
  • Nur-d-din Temitayo Busari, University of Ibadan, Women of Postcolony, Nwapa’s and Marshall’s Works
  • Fatoumata Diahara Traore, McGill University, From Human to Waste”: Social Transformation and the question of historical production in Adame Ba Konare’s Quand L’ail se frotte à l’encens.
Algonquin Room
 

Roundtable: What’s Wrong with Human Rights Films (Part Two)

Chair: Ken Harrow, Michigan State University

  • Maryellen Higgins, Pennsylvania State University
  • Chantal Kalisa, University of Nebraska – Lincoln
  • Joyce Ashuntantang, University of Connecticut
  • Juliana Makuchi Nfah-Abbenyi, North Carolina State University
Cardinal/Oak Room
 

Panel: Resisting Hegemony Through Film

Chair: Ian Munro, William Jewell College

  • Ian Munro, William Jewell College, Time, Space, Memory: The Work of Abderrahmane Sissako
  • Kayode O Ogunfolabi, Michigan State University, Negotiating Global Hegemony in Sony Labou Tansi’s The Seven Solitudes of Lorsa Lopez and Djibril Diop Mambety’s Hyenas
Kaskaskia Capital Room
 

Authors Book Signing

Chair: Peter Cole, Western Illinois University

  • Veronique Tadjo
  • Sefi Atta
  • Tanure Ojaide
  • Niyi Osundare
New Copperfield’s Book Service, Macomb Square
5:45 – 7:00pm Graduate Caucus Business Meeting Fox Room
  Francophone Caucus Meeting Board Room
 

Cultural Expressions

Facilitators: Safoura Boukari and James Bukari

Sandburg Theatre
7:15 – 11:00 pm

ALA Awards Banquet

Keynote: Sefi Atta

Sapphire Restaurant, Macomb Downtown