Sometimes I think of my paintings in terms of
theater, where a dramatic story is unfolding on stage before an audience. Low
horizon lines allow for the description of dominant skies while creating a sense
of expansiveness in my work. Through the use of glazes I achieve a glowing ambient
light that subtly graduates to darkness. All objects, trees, and buildings are
generally illuminated from behind, enhancing the drama. The lone tree and the
weathered tree are important, often repeated motifs symbolizing the struggle
of the individual and of overcoming adversity. My oil paintings are done on
a beveled canvas that lifts the central picture plane three inches off the wall.
This element gives the painting a certain physical presence, turning it into
an object that extends into space, physically engaging the viewer. The beveled
edges are darkened so that the luminosity of the sky emanates from the center
of the painting. This underscores the light vs. dark, good vs. evil metaphor.
Dichotomy plays a central role in my work. This paradox poses a philosophical
question: will darkness persist or will the unifying light prevail? Through
these contrasts I hope to make my viewers aware of and contemplate the struggles
that may exist in their own lives. My goal is to connect with the viewers at
this level, making them active participants in the creative process. The vitality
of a painting in my mind rests not in its ability to answer questions, but rather
to ask them, thus keeping the painting open and alive.
- Michael Dubina
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